I’m honored to announce that my work on paper “Untitled” from the 2005 “Tejidos” series is now included in the permanent collection of the Wiregrass Museum of Art in Dothan, Alabama.
Thank you to the entire Wiregrass Museum of Art Team – especially Director Dana-Marie Lemmer and Collections Manager and Registrar Paula Haymon – and my gallerist Guido Maus for their enthusiasm and constant support to artists and the Arts.
“Untitled” Tejidos 2005 watercolor on paper approx. 9.5 by 12.6 in. (24 by 32 cm)
I am excited to announce that my 2010 painting, Etude Nr. 54, is now part of the permanent collection at the Paul R. Jones Museum in Tuscaloosa, Alabama. I want to extend my heartfelt thanks to gallerist Guido Maus for his invaluable support and to Museum Director Daniel White for his unwavering commitment to the arts.
Je suis ravie d’annoncer que mon œuvre de 2010, Étude nº 54 fait désormais partie de la collection permanente du Musée Paul R. Jones à Tuscaloosa, Alabama, États-Unis. Je tiens à exprimer mes sincères remerciements au galeriste Guido Maus pour son soutien inestimable et au directeur du musée Daniel White pour son engagement indéfectible envers les arts.
Etude Nr. 54 2010 oil on canvas 28.75 by 23.6 in. (73 by 60 cm)
With the artists: Pablo Barreiro, Jacobo Bugarín, Salvador e Juan Cidrás, Andrea Costas, Angela de la Cruz, Eva Díez, Patricia Dopico, Amaya González Reyes, Rubén Grilo, Juan López, Loreto Martínez Troncoso, Chelo Matesanz, Vítor Mejuto, Antonio Murado, Álvaro Negro, Carme Nogueira, Ana Pérez Ventura, Isaac Pérez Vicente, Montse Rego, Rodríguez-Méndez, Xabier Toubes, Mauro Trastoy, Damián Ucieda
Ana Pérez Ventura 24 Neumas (Chopin op.10 & op.25), 2014-2020 Permanent marker on pvc CGAC Collection
CRUZAMENTOS (INTERSECTIONS) is the final exhibition from the project A Look at Galicia, which invites us to explore our most recent art history through the work of artists whose pieces have been incorporated into the CGAC Collection over the last two decades.It is an exhibition that celebrates the rich and the diverse, connecting long-established artists with young or mid-career creators. Here, voices, sensitivities and stories diverge, but they coincide in addressing, with multiple critical approaches, issues of a social, historical, political identity or artistic nature prevalent at the present moment in time.On Friday, March 4 at 6.30 p.m. in the CGAC auditorium, the curators Sara Donoso and Santiago Olmo, will participate in a public conversation about the exhibition.
I am extremely pleased to announce that my work 24 Neumas based on Chopin's 24 Studies has been acquired by the Contemporary Art Museum CGAC (Centro Galego de Arte Contemporánea). It is now part of the most important collection of contemporary art in Galicia, in the CGAC-XACOBEO section.
Ana Pérez Ventura 24 Neumas (Chopin op.10 & op.25), 2014-2020 Permanent marker on pvc 24 pieces of 42 x 29,7 cm
