Author: admin

10 ANS DÉJÀ ! 

  By

H GALLERY – PARIS


Group exhibition from September 5 to October 3, 2026
Exposition collective du 5 septembre au 3 octobre 2026  

I am pleased to invite you to the group exhibition 10 YEARS ALREADY! at H GALLERY in Paris.
The gallery is celebrating its 10th anniversary! To mark this decade of discoveries, encounters, and artistic passions, the gallery presents an anniversary exhibition bringing together a selection of artists who have shaped these ten years.
I would like to warmly thank Hélianthe Bourdeaux-Maurin for inviting me to take part in this exhibition.

J’ai le plaisir de vous inviter à découvrir l’exposition collective 10 ans déjà ! à la H GALLERY de Paris.
La galerie souffle sa dixième bougie ! Pour célébrer cette décennie de découvertes, de rencontres et de coups de cœur, elle présente une exposition anniversaire réunissant une sélection d’artistes qui ont marqué ces dix années.
Je tiens à remercier chaleureusement Hélianthe Bourdeaux-Maurin pour son invitation à participer à cette exposition.


With the artists / Avec les artistes:

 
ARDIF – RONAN BARROT – MATT BLACKWELL – BECQUEMIN&SAGOT – CORINE BORGNET – ALEXANDRE CARIN – THIERRY CARRIER – ALICE GAUTHIER – NOA CHARUVI – SOYEON CHO – VIOLAINE DESPORTES – BILAL HAMDAD – ALEXANDRA HEDISON – NICOLAS HENRY – NATHANAËLLE HERBELIN – LOUISE JANET – SARAH JÉRÔME – LINAS KAZIULIONIS – FAY KU – FLORIANE DE LASSÉE – CAROLINE LE MÉHAUTÉ – CLAIRE LESTEVEN – RACHEL MARKS – MONKEYBIRD – REUBEN NEGRÓN – ISADORA O.P. – AXEL PAHLAVI – ANA PÉREZ VENTURA – EMMA PICARD – LUCILE PIKETTY – JEAN-PHILIPPE ROUBAUD – AXEL ROY – MARYLINE TERRIER – PAUL VERGIER

Opening reception / Vernissage:
Samedi 5 septembre, de 14h à 19h30
Saturday, September 5, from 2:00 PM to 7:30 PM
 

Je serai présente au vernissage et me réjouis de vous y retrouver.
I’ll be at the opening and would be delighted to see you there.

H GALLERY
39, rue Chapon
75003 Paris
France
https://h-gallery.fr

Cahier nº7
2026
Acrylic on archival polyester film
54 x 82 cm (21.3 x 32.3 in.)

In the Moment: Recent Acquisitions to AEIVA’s Permanent Collection

  By ,

Group exhibition / Exposition collective

In the Moment: Recent Acquisitions to AEIVA’s Permanent Collection
Presented at AEIVA, this exhibition brings together works by 17 artists acquired over the past three years, many of which are on view for the first time. It reflects the institution’s focus on contemporary practices rooted in a regional perspective while engaging in a broader cultural dialogue.  
The works explore a poetics of the everyday, navigating between memory and material, reality and imagination.


Dans l’instant présent : acquisitions récentes de la collection permanente d’AEIVA
Présentée à AEIVA, cette exposition réunit des œuvres de 17 artistes acquises au cours des trois dernières années, dont beaucoup sont montrées pour la première fois. Elle reflète l’attention portée par l’institution à une scène contemporaine ancrée dans un contexte régional tout en dialoguant avec des enjeux plus larges.  
Les œuvres explorent avec finesse une poétique du quotidien, entre mémoire et matière, réalité et imagination.



On view through December 12, 2026
Exposition visible jusqu’au 12 décembre 2026  


With the artists:  / Avec les artistes:  
Gema ÁLAVA | Kathryn ANDREWS | Pinky/MM BASS | Katherine BERNHARDT | Jennifer COATES | Sue DE BEER | Susan FITZSIMMONS | Paul KREMER | Mokha LAGET | Futoshi MIYAGI | Celestia MORGAN | Robert RAUSCHENBERG | Manjari SHARMA | Nancy SHAVER | Susanna STARR | Jacqueline SURDELL | Ana PÉREZ VENTURA


AEIVA (Abroms-Engel Institute for the Visual Arts) 
1221 10th Ave S
Birmingham, AL 35205
USA / États-Unis

Étude nº 190
2014
Acrylic on canvas
114 × 162 cm (44.9 × 63.8 in.)

Permanent collection of the Abroms-Engel Institute for the Visual Arts, AEIVA, Birmingham, Alabama

WET PAINT  – MAUS CONTEMPORARY

  By


Group exhibition from June 19 to July 31, 2026 / Exposition collective du 19 juin au 31 juillet 2026  


I am pleased to invite you to discover the group exhibition WET PAINT, presented at Maus Contemporary in Birmingham.  
The exhibition highlights recent works by Maus Contemporary artists.

J’ai le plaisir de vous inviter à découvrir l’exposition collective WET PAINT, présentée à Maus Contemporary à Birmingham.  
L’exposition met en lumière des œuvres récentes des artistes de la galerie.


With the artists:  / Avec les artistes :
Clayton COLVIN | Derek CRACCO | William DOOLEY | Peter FOX | Paul HALLAHAN | Ana PÉREZ VENTURA | Melissa VANDENBERG | Daniel WHITE

Vernissage : Vendredi 19 juin (18-20h)
Opening reception Friday, June 19 (6-8pm)

MAUS CONTEMPORARY
2411 Second Avenue North
Birmingham
AL 35203 
US / États-Unis

Étude nº 341
2026
Acrylic on linen
130 × 97 cm (51.2 × 38.2 in.)

LINE / SPACE

  By

Group exhibition / Exposition collective

You are warmly invited to the opening of LINE / SPACE, a group exhibition at Maus Contemporary, Birmingham, on Friday, March 20, 6–8 pm. The show runs from March 20 to May 1, 2026 and presents works that explore the dynamic relationship between line and space.

Nous vous invitons chaleureusement à l’inauguration de LINE / SPACE, une exposition collective à Maus Contemporary, Birmingham, le vendredi 20 mars de 18h à 20h. L’exposition se tient du 20 mars au 1er mai 2026 et présente des œuvres qui explorent la relation dynamique entre ligne et espace.

Akiko MASHIMA | Irene GRAU | Nico MUNUERA | William DOOLEY | Peter FOX | Willie COLE | Ana PEREZ VENTURA | Luca BUVOLI | Clayton COLVIN | Derek MAINELLA | Ivan KLIUN (1873–1943) | Barbara and Michael LEISGEN | Angelo GRANATA (1922–2009) | Melissa VANDENBERG | Leslie SMITH III

Maus Contemporary
2411 Second Avenue North
Birmingham
AL 35203 US

Isaac Diaz Pardo Prize

  By ,

I am pleased to announce that my piece Czerny, Schule der Geläufigkeit op.299, erstes Heft, from my Notages series, has been selected by the jury of the Isaac Diaz Pardo Prize.
It will join the Deputación da Coruña collection (Spain) and a travelling exhibition in 2026.
I thank the jury and Metro gallery for their support.

Je suis heureuse d’annoncer que mon œuvre Czerny, Schule der Geläufigkeit op.299, erstes Heft, de ma série Notages, a été sélectionnée par le jury du Prix Isaac Diaz Pardo.
Elle intégrera la collection de la Deputación da Coruña (Espagne), l’équivalent d’un département en France, et une exposition itinérante en 2026.
Je remercie le jury et la galerie Metro pour leur soutien.

Czerny, Schule der Geläufigkeit op.299, erstes Heft
2022
Drilled plywood, acrylic varnish
111 x 177 cm (43,7 x 69,7 in)

Detail

Galerie Isabelle Gounod

  By


Group exhibition from September 6 to 27, 2025
Exposition collective du 6 au 27 septembre 2025

Dear friends and art lovers,
I am pleased to invite you to my upcoming group exhibition at Galerie Isabelle Gounod, in the heart of the Marais district. You will discover a selection of works from my series Notages, Neumas, Contrapunto, En rythme, and Blue Velvet.

Chers amis et amateurs d’art,
J’ai le plaisir de vous inviter à ma prochaine exposition collective à la galerie Isabelle Gounod, au cœur du Marais. Vous pourrez y découvrir une sélection d’œuvres issues de mes séries Notages, Neumas, Contrapunto, En rythme et Blue Velvet.

OPENING RECEPTION / VERNISSAGE
Saturday, September 6th, from 3pm to 8pm
Samedi 6 septembre de 15h à 20h
I will be present and look forward to welcoming you at the gallery.
J’y serai présente, au plaisir de vous retrouver à la galerie.

With the artists: / Avec les artistes :

Célia COËTTE
Pascal HACHEM
Ana PÉREZ VENTURA
François TOISON

Venue: / Lieu :
Galerie Isabelle Gounod
12 rue Chapon
75003 Paris (France)
M° Arts-et-Métiers / Rambuteau

NEW SCHEDULES / NOUVEAUX HORAIRES
Wednesday – Saturday from 12 AM to 7 PM 
Mercredi – Samedi de 12h à 19h


TRAVERSE

  By

Group exhibition from July 17 to 28, 2025
Exposition collective du 17 au 28 juillet 2025

I am pleased to invite you to the opening of the group exhibition “Traverse”, where I will present two pieces from my Notages series.
J’ai le plaisir de vous inviter au vernissage de l’exposition collective « Traverse », où je présenterai deux pièces de ma série Notages.

This exhibition, organized by the Senate, will be held at the Senate’s Orangerie in the Luxembourg Garden, Paris. I will be attending the opening reception and look forward to seeing you there!
Cette exposition, organisée par le Sénat, se tiendra à l’Orangerie du Sénat, dans le jardin du Luxembourg à Paris. Je serai présente au vernissage et serai ravie de vous y retrouver !

Opening reception / Vernissage :
July 17, from 5:30 pm to 7:30 pm / 17 juillet de 17h30 à 19h30 / 
Orangerie du Sénat
Jardin du Luxembourg (accès porte Férou)
19 bis rue de Vaugirard
75006 Paris
FRANCE 

CORRESPONDENCIAS: JOSÉ MARÍA DE LABRA

  By

Group show

I am participating in the group exhibition “José María de Labra. Correspondences,” open from April 1 to August 30, 2025, at the Centro Obra Social ABANCA in Santiago de Compostela. This show is the second chapter in a series dedicated to revisiting the ABANCA and Afundación art collections from a contemporary perspective, encouraging dialogue between generations and artistic languages.

The exhibition pays tribute to José María de Labra (A Coruña, 1925 – Palma de Mallorca, 1994), a key figure in the development of abstraction and normative art in Spain, whose work always sought to merge painting and architecture. The show brings together 55 works, including historical pieces and new creations by invited artists, selected to engage in a dialogue with Labra’s legacy and to rethink abstraction from a contemporary viewpoint.

Among the participating artists are both Galician and national creators who, like myself, explore new possibilities within abstract language. The exhibition also features site-specific proposals created for the occasion and works by artists such as Pablo Barreiro, Almudena Fernández, Tatiana Medal, Kiko Pérez, Arancha Goyeneche, Hisae Ikenaga, Belén Rodríguez, Gloria García Lorca, Carlos Maciá, and Robert Martorell i Ferrer, generating a rich network of visual and conceptual correspondences around Labra’s figure.

01.04-30.08.2025
Centro Obra Social ABANCA, Santiago de Compostela, Spain
Curated by Mónica Maneiro and Iñaki Martínez Antelo
With the artists:
Pablo Barreiro, Almudena Fernández Fariña, Tatiana Medal, Kiko Pérez, Ana Pérez Ventura, Arancha Goyeneche, Hisae Ikenaga, Belén Rodríguez,Gloria García Lorca, Carlos Maciá and Robert Ferrer i Martorell.

Visiting hours:
Monday to Saturday, 4:00 pm to 8:00 pm.
Closed Sundays and holidays.

Mozart, K.545.3 m.1-3
 2023
Acrylic on wood on wooden panel
21 x 27 cm (8.27 x 10.63 in.)

Detail

Chopin, op.48-1 m.1-4
2024
Acrylic on wood on wooden panel
68 x 51 cm (26.77 x 20.08 in.)

Detail

Photos: Roi Alonso

ARTMADRID 2025

  By

Contemporary Art fair:  5th to 9th March 2025

I am thrilled to announce that I will be participating in Art Madrid 2025 with Galería Metro, alongside artist Nacho Zubelzu. I will be presenting pieces from my Notages, Contrapunto, En Rythme, and Études series.


ART MADRID
Galería Metro – Booth B9 Galería de Cristal del Palacio de Cibeles
C/ Montalbán 1
Madrid (Spain)

Bach BWV 772,  2024. Engraved and frosted plexiglass, acrylic on wood. 50 x 50 cm (19.69 x 19.69 in)

Mozart, K.332.3 m.124, 2025. Acrylic on wood on wooden panel. 21 x 27 cm (8.27 x 10.63 in.)

NEW ADDITIONS TO MUSEUM COLLECTIONS

  By

Two of my paintings from my Études series have been added to prestigious institutions in Alabama, USA:

  1. Étude Nr. 177 is now part of the Birmingham Museum of Art’s (BMA) permanent collection. I thank BMA’s curatorial team and Director Graham Boettcher for their support.
  2. Étude Nr. 190 has joined the University of Alabama at Birmingham’s Abroms-Engel Institute for the Visual Arts (AEIVA). I appreciate the entire AEIVA Team for their enthusiasm and support.

I thank my gallery, Maus Contemporary, for their invaluable support in making these additions possible.

Étude nº 177, 2014. Acrylic on canvas, 114 x 162 cm (approx. 44.9 x 63.75 in.)

DETAIL Étude nº 177, 2014. Acrylic on canvas, 114 x 162 cm (approx. 44.9 x 63.75 in.)

Étude nº 190, 2014. Acrylic on canvas, 114 x 162 cm (approx. 44.9 x 63.75 in.)

DETAIL Étude nº 190, 2014. Acrylic on canvas, 114 x 162 cm (approx. 44.9 x 63.75 in.)

WIREGRASS MUSEUM OF ART COLLECTION

  By

I’m honored to announce that my work on paper “Untitled” from the 2005 “Tejidos” series is now included in the permanent collection of the Wiregrass Museum of Art in Dothan, Alabama.

Thank you to the entire Wiregrass Museum of Art Team – especially Director Dana-Marie Lemmer and Collections Manager and Registrar Paula Haymon – and my gallerist Guido Maus for their enthusiasm and constant support to artists and the Arts.

“Untitled” Tejidos
2005
watercolor on paper
approx. 9.5 by 12.6 in. (24 by 32 cm)

RÉALITÉS NOUVELLES 2024

  By

Group show/ Exposition collective

17.10.2024 – 20.10.2024
Opening reception / Vernissage
Thursday 17th October, 5-8 pm / Jeudi 17 octobre

RÉFECTOIRE DES CORDELIERS
15 rue de l’École de Médecine
75006 Paris (France)
Métro : Odéon
http://www.realitesnouvelles.org/

Etude Nr. 307, 2024
Acrylic on linen, audio file 1:49’ accessible via QR Code
100 x 140 cm

Making time tangible, I explore the relationship between time and space through repetition. I confront an objective framework (score, concrete space, musical scale) with a subjective framework of time experienced through gesture. My work aims to organically record the passage of time and focuses on the inevitable variations in each repetition.

My artistic practice is inspired by my training as a classical pianist. I do not represent music, but the process of transforming written symbols into sounds. To become a concert pianist, the pianist repeats the same gestures daily to integrate and memorize them. These often circular gestures are reflected in my Études, where I transform rhythmic and cyclical movements into an exploration of pure abstraction, becoming a human metronome. Musical etudes, by their repetitive nature, inspire me to reproduce a circular rhythmic gesture in the form of a continuous line, recording time and covering space. I repeat this sequence to create superimposed layers, witnesses of time.

In Etude Nr. 307, I apply an identical layer of blue glaze over the previous one, using adhesive tape and masking fluid (to create the repetitive circular movement characteristic of this series). This technique allows me to make each step of the creation process visible, capture different moments, and make these layers an essential part of the final work. The audio presents the different sounds produced during the various stages of the process.

FRANÇAIS



Rendre le temps palpable, j’explore la relation entre le temps et l’espace à travers la répétition. Je confronte un cadre objectif (partition, espace concret, gamme musicale) à un cadre subjectif du temps vécu par le geste. Mon travail vise à enregistrer organiquement le passage du temps et s’intéresse aux variations inévitables de chaque répétition.

Ma pratique artistique s’inspire de ma formation de pianiste classique. Je ne représente pas la musique, mais le processus de transformation des symboles écrits en sons. Pour devenir concertiste, le pianiste répète quotidiennement les mêmes gestes pour les intégrer et les mémoriser. Ces gestes, souvent circulaires, se reflètent dans mes Études, où je transforme les mouvements rythmiques et cycliques en une exploration de l’abstraction pure, devenant un métronome humain. Les études musicales, par leur nature répétitive, m’inspirent à reproduire un geste rythmique circulaire sous forme de trait continu, enregistrant le temps et couvrant l’espace. Je répète cette séquence pour créer des couches superposées, témoins du temps.

Dans l’Étude nº 307,  j’applique une couche de glacis bleu identique par-dessus la précédente, en utilisant du ruban adhésif et du liquide de masquage (pour créer le mouvement circulaire répétitif caractéristique de cette série). Cette technique me permet de rendre visible chaque étape du processus de création, capturer différents moments et faire de ces strates une part essentielle de l’œuvre finale. L’audio présente les différents sons produits lors des diverses étapes du processus.

PAUL R. JONES MUSEUM COLLECTION

  By

I am excited to announce that my 2010 painting, Etude Nr. 54, is now part of the permanent collection at the Paul R. Jones Museum in Tuscaloosa, Alabama.
I want to extend my heartfelt thanks to gallerist Guido Maus for his invaluable support and to Museum Director Daniel White for his unwavering commitment to the arts.

Je suis ravie d’annoncer que mon œuvre de 2010, Étude nº 54 fait désormais partie de la collection permanente du Musée Paul R. Jones à Tuscaloosa, Alabama, États-Unis.
Je tiens à exprimer mes sincères remerciements au galeriste Guido Maus pour son soutien inestimable et au directeur du musée Daniel White pour son engagement indéfectible envers les arts.

Etude Nr. 54
2010
oil on canvas
28.75 by 23.6 in. (73 by 60 cm)

ONE

  By

SOLO SHOW AT MAUS CONTEMPORARY, USA

I am delighted to announce my first one-person exhibition in the United States, titled “ONE,” at Maus Contemporary gallery. This exhibition is my first project with the gallery, and it serves as a survey of my over twenty-year-long artistic practice.


ANA PÉREZ VENTURA: ONE

MAY 17 – AUGUST 9, 2024

OPENING RECEPTION IN PRESENCE OF THE ARTIST

FRIDAY, MAY 17 (6-8PM)

I am thrilled to have the opportunity to present my work in the United States for the first time, and I invite you to join me at the opening reception on Friday, May 17, from 6-8 PM, where I will be present to celebrate this milestone event.

Maus Contemporary

2411 SECOND AVENUE NORTH
BIRMINGHAM, AL 35203

U.S.A.

ANA PÉREZ VENTURA

UNTITLED (28451)

2003

bound notebook, ink

closed ca. 12,5 by 8,3 by 1,2 cm (approx. 4.9 by 3.25 by 0.5 in.)

PRETTY LITTLE THINGS

  By

Exposition collective / Group show

14.12.2023 – 23.12.2023
Opening reception / Vernissage
Wednesday, December 13 , 6 – 9 p.m. / Mercredi 13 décembre, 18h – 21h

This exhibition, or rather this sum of micro exhibitions at the Abstract Project gallery, features the work of 10 artists who think and produce abstract forms. For them, it is about showing accomplished works, elements, and traces of what constituted their research. Analogies, crossings, and creolizations form the path of the artist’s work. These small formats show the richness of the productions echoed and the chosen display forms.

Cette exposition, ou plutôt cette somme de micro expositions à la galerie Abstract Project met en scène le travail de 10 artistes qui pensent et produisent des formes abstraites.
Il s’agit pour eux de montrer à la fois des œuvres abouties, mais aussi des éléments, des traces de ce qui a constitué leurs recherches. Des analogies, des croisements, des créolisations qui font le chemin de l’œuvre de l’artiste. Ces petits formats montrent la richesse des productions plastiques misent en écho, mais aussi les formes de monstration choisies.

With the artists:

Véronique AUGRY
Carol Ann BRAUN
Pascal BRUN
Serge COLLOMB
Lino de GIULI
Elise KIM
Yumiko KIMURA
Christian MARTINACHE
Ana PEREZ VENTURA
Alexandre VALETTE

Galerie ABSTRACT PROJECT
5 Rue des immeubles Industriels
75011 Paris
France

Bach BWV 784, m.1-8, 2023 | Engraved and frosted plexiglass, acrylic on wood | 14 x 18 cm
Mozart, K.545.3, m.1-3, 2023 | Acrylique sur bois sur panneau en bois | 21 x 27 cm
Chopin, Étude op.10.9, m.1-9, 2023 | Acrylic on engraved plexiglas | 14 x 18 cm
Czerny, op.740 nº24, m.1-5,  2023 | Drilled wood, clear acrylic varnish | 14 x 18 cm
Étude nº282, 2022 | Acrylic on wood board | 40 cm diameter

PRIX FONDATION TAYLOR

  By ,
I’m proud to announce that my work Czerny, Schule der Geläufigkeit op.299, zweites Heft has been awarded the Taylor Foundation Prize at the Salon des Réalités Nouvelles 2023. 

Je suis fière d’annoncer que mon œuvre Czerny, Schule der Geläufigkeit op.299, zweites Heft a obtenu le Prix de la Fondation Taylor au Salon des Réalités Nouvelles 2023. 

Czerny, Schule der Geläufigkeit op.299, zweites Heft, 2023 
18 pieces of 35 x 27 cm (111 x 177 cm)
Drilled wood, transparent acrylic varnish

RÉALITÉS NOUVELLES 2023

  By

Group show / Exposition collective

19.10.2022 – 22.10.2022
Opening reception / Vernissage
Thursday, October 19, 5-8 pm / Jeudi 19 octobre, 17h- 20h

RÉFECTOIRE DES CORDELIERS
15 rue de l’École de Médecine
75006 Paris
Métro : Odéon

RN PARIS KYOTO

  By

Group show

26.04.2023-30.04.2023

Kyoto International Community House

2-1 Awadaguchi Toriicho, Sakyo Ward, Kyoto, 606-8436, Japan

Bach, invention BWV 775, 2023. 36 x 51 cm. Drilled Arches 100% cotton 300g/m2 paper

NEW CATALOGUE

  By

Publication made during the Medindo o xesto, trazando o tempo* exhibition held at Centro Cultural Marcos Valcarcel at Ourense, Spain from January 19th to March 12th 2023.
*Measuring gesture, tracing time

Ouvrage réalisé à l’occasion de l’exposition Medindo o xesto, trazando o tempo* réalisée au Centro Cultural Marcos Valcarcel du 19 janvier au 12 mars 2023.
* Mesurer le geste, tracer le temps

Catálogo de la exposición Medindo o xesto, trazando o tempo* celebrada en el Centro Cultural Marcos Valcarcel de Ourense entre el 19 de enero y el 12 de marzo 2023.
*Medindo el gesto, trazando el tiempo

Artists / Artistes / Artistas:


ANA PÉREZ VENTURA
GONZALO SELLÉS LENARD

Curator / Commissaire / Comisaria:

FÁTIMA OTERO

Texts in Spanish and Galician / Textes en espagnol et galicien / Textos en castellano y gallego

Edited by / Édité par / Editado por 

CENTRO CULTURAL MARCOS VALCÁRCEL
DIPUTACIÓN DE OURENSE

Download it here / Télécharger ici / Descargar aquí

JUSTMAD 23

  By

Art fair / Foire d’art  

23.02.2023 – 26.02.2023

GALERIA METRO

STAND V10 / Booth V10

With the artists / Avec les artistes :

LÚA GÁNDARA
ANA PEREZ VENTURA
PAULA VICENTI

Palacio de Neptuno
Calle de Cervantes, 42
28014 Madrid
Spain / Espagne

www.justmad.es 
www.galeriametro.com

Czerny, Schule der Geläufigkeit op.299, erstes Heft, 2022.
Drilled plywood, transparent acrylic varnish.
18 pieces of 35 x 27 cm
Tourner la page, 2022.
Drilled plywood, acrylic clear varnish, felt.
34 x 25,3 x 4,5 cm (folded)

RÉALITÉS NOUVELLES 2022

  By

Exposition collective / Group show

20.10.2022 – 23.10.2022
Vernissage / Opening reception
Jeudi 20 octobre, 17h- 20h / Saturday 20th October, 5 -8 p.m.

RÉFECTOIRE DES CORDELIERS
15 rue de l’École de Médecine
75006 Paris
Métro : Odéon

Je serai présente au Réfectoire des Cordeliers pendant le vernissage. / I will be present at the Réfectoire des Cordeliers during the opening.

http://www.realitesnouvelles.org/index.html

 

Étude nº 275, 2022  | Acrylic on canvas | 110 cm diameter

TOURNER LA PAGE

  By

Solo show

15.09.2022- 31.10.2022

Opening 15.09.2022 – 7 pm

Galeria Metro
Rúa Xeneral Pardiñas 12-16, L14
15700 Santiago de Compostela, Spain
+34   649 610 287
info@galeriametro.com
Opening hours: Monday to Fryday 5-9 pm or by appointment


Tourner la page, plywood, acrylic clear varnish and felt, 34 x 25,3 x 4,5 cm (folded)

Sons improbábeis

  By

 

Group exhibition

 

28.06.2022 -16.10.2022

 

Sons improbábeis explores the different dimensions of sound in the visual arts. On the one hand, it aims to bring together different
samples of so-called sound art, an expression that is increasingly present in the work of contemporary artists, while also seeking to
investigate the presence of sound and music as an integral part or as a theme of works executed in a combination of media. Thus, languages such
as audiovisual or installation, which integrate sound as a fundamental part of their development. On the other hand, Sons improbábeis also
aims to visit works by artists who work with music as a theme from more traditional disciplines of artistic practice such as painting or
sculpture.

To outline the structure of this exhibition, three thematic axes are considered: a first one related to sound art, which includes works by artists who use sound as the essential raw material from which to construct their work; a second axis dedicated to the relationship of the artistic work with the universe of so-called cultured music in its classical and contemporary developments, as well as in the relationship with its listening spaces or its notation systems; finally, a part of the exhibition will be dedicated to the relationship established between visual art and pop music and the whole universe of imagery that surrounds these musical practices today.

 

ARTISTES / ARTISTS :

 

Xoán Anleo
Vasco Araújo
Amine Asselman
Misha Bies Golas & Benxamín Otero
Gonzalo Elvira
Ana Gesto
Juan López
Julia Llerena
Vítor Mejuto
Macarena Montesinos
Luisa Pastor
Ana Pérez Ventura
Alejandra Pombo Su
Susan Philipsz

 

COMMISSAIRE / CURATOR:

 

Iñaki Martínez Antelo

 

Vernissage / Opening reception
Mardi 28 juin, 20h  / Tuesday 28th June, 8 pm

 

Auditorio de Galicia – Sala Isaac Díaz Pardo
Avda. Burgo das Nacions, s/n /
Saint-Jaques de Compostelle
Espagne / Spain

 

 

12 mayor scales, 2015. Pencil, acrylic and ink on paper. 12 elements of 29,7 × 42 cm each.
Relieve nº3 (Chopin op.25 nº2), 2021. Acrylic on polyester. 4 elements of 42 × 29,7 cm each.

photos: Roi Alonso

NEW CATALOGUE

  By

Publication made during the Sincronía, tempo e xesto* exhibition held at Museo del Mar de Galicia from February 18th to May 3rd 2022.
*Synchrony, time and gesture

Artists:

GONZALO SELLÉS LENARD
ANA PÉREZ VENTURA

Curator:

FÁTIMA OTERO

Texts (in Galician) by:

FÁTIMA OTERO
LUIS VALLE
LUIS ANTONIO VÁZQUEZ ESTÉVEZ
JAVIER BLANCO
EVA MONROY
GONZALO SELLÉS LENARD

Poems by:
LUISA CASTRO
JUAN BELLO SÁNCHEZ
LUIS VALLE

Edited by:

XUNTA DE GALICIA
TEÓFILO EDICIÓNS

DOWNLOAD HERE

[dflip id="729" ][/dflip]

CRUZAMENTOS na arte galega da colección CGAC

  By ,

Group show

04.03-19.06.2022

With the artists: Pablo Barreiro, Jacobo Bugarín, Salvador e Juan Cidrás, Andrea Costas, Angela de la Cruz, Eva Díez, Patricia Dopico, Amaya González Reyes, Rubén Grilo, Juan López, Loreto Martínez Troncoso, Chelo Matesanz, Vítor Mejuto, Antonio Murado, Álvaro Negro, Carme Nogueira, Ana Pérez Ventura, Isaac Pérez Vicente, Montse Rego, Rodríguez-Méndez, Xabier Toubes, Mauro Trastoy, Damián Ucieda

Curated by Sara Donoso, Santiago Olmo

CGAC – Centro Galego de Arte Contemporánea
Rúa Valle Inclán, 2
15703 Santiago de Compostela


Ana Pérez Ventura
24 Neumas (Chopin op.10 & op.25), 2014-2020
Permanent marker on pvc
CGAC Collection

CRUZAMENTOS (INTERSECTIONS) is the final exhibition from the project A Look at Galicia, which invites us to explore our most recent art history through the work of artists whose pieces have been incorporated into the CGAC Collection over the last two decades.It is an exhibition that celebrates the rich and the diverse, connecting long-established artists with young or mid-career creators. Here, voices, sensitivities and stories diverge, but they coincide in addressing, with multiple critical approaches, issues of a social, historical, political identity or artistic nature prevalent at the present moment in time.On Friday, March 4 at 6.30 p.m. in the CGAC auditorium, the curators Sara Donoso and Santiago Olmo, will participate in a public conversation about the exhibition.

SINCRONÍA, TEMPO E XESTO

  By

Duo show

With the artists:

Gonzalo Sellés Lenard & Ana Pérez Ventura

Curated by Fátima Otero

19.02 – 01.05.2022

Museo do Mar de Galicia
Avenida Atlántida 160
36208 Vigo
Spain

SYNCHRONY TIME AND GESTURE

GONZALO SELLÉS LENARD ANA PÉREZ VENTURA

February / May 2022

A selection of artworks, each composed of more than three hundred paintings, and created in over ten years, make up the Fuzzy series, by Vigo artist Gonzalo Sellés Lenard (Ferrol, 1965) and Études by Paris-based artist, Ana Pérez Ventura (Santiago de Compostela, 1981).

The exhibition Synchrony – Time and Gesture immortalizes the intangible time of the creative process from its source to its representation.
It values the gesture, the process and the rhythmic variations that are established by repeating lines or an element ad infinitum with an involving effect. The unexpected beauty arises from an erudite technique and a synchronous compositional relationship with nature, music and poetry.

We have conceived these two original and moving realms, in which we address time
as a concept, the visual and communicative possibilities of sequencing, repetition and reproducibility to awaken our senses, convey feelings and generate states of mind.

Fátima Otero, curator

‘Que des femmes… Only women…’

  By

Satellite virtual exhibition of the biennale internationale d’art non objectif de la ville de Pont de Claix


22 Sept – 15 October 2021


Participating artists:


Ada Weber (CH)
Aimée Terburg (NL)
Ana Pérez Ventura (ES)
Arleta Cehic (BA)
Asl ıhan Mumcu (TR)
Ba şak Avc ı (TR)
Beti Bricelj (SI)
Bogumila Strojna (FR)
Christine Boiry (FR)
Ellen Golden (USA) )
Karen Schifano (USA)
Katharina Fischborn (DE)
Cleopatra Moursela (GR)
Munira Naqui (USA)
Selin Ya ğmur Sönmez (TR)
Tineke Porck (NL)
Ulla Pedersen (DK)
Wilma Vissers (NL)

Biennale founder & curator Roland Orepuk
Virtual Exhibition curator Erdem K.Köroğlu

www.konstruktiv.ist